Has anyone else changed their Netflix profile pic to ZS?
I'll change mine to Zod for a while. I didn't enjoy Rebel Moon. But, to be fair, no one can take the Krypton sequences from Man Of Steel away. That encompassed what was best of what Snyder can potentially give an audience.
Zod was both right and wrong. Jor El was both right and wrong. The tragedy is they couldn't work together. Zod was headstrong and too defiant. But you can see he was not without some justification for his rage. Jor El was too soaked in his own virtue at the cost of his people. When Zod asked Jor El to join him, that was the best opportunity to negotiate for Zod's ships to rescue as many Kryptonians as possible, and leave for the outposts. Zod lacked the wisdom to see his rebellion was futile.
You see the great respect they had for each other. Now, again to be fair, both Crowe and Shannon were phenomenal. And maybe that's what you need in a Snyder film, just as much raw acting firepower as possible to patch over the areas where Snyder is consistently weak/struggles.
"Charles Xavier did more for mutants than you will ever know. My only regret is that he had to die for our dreams to live" Magneto said that in X Men 2. I didn't even have to look it up. There was such an interesting dynamic between Xavier and Magneto, they were brothers in one way, but bitter rivals in another. They were both right and they were both wrong about how to secure the future of mutants in a world designed to despise them.
Rebel Moon could have had that. A simple story about a general and the head of a small farming village who were brothers once, and now are on opposite sides of a very basic conflict ( How about not starving? That's pretty good motivation) . There are seeds of potentially 20 compelling stories within Rebel Moon Part 1. It's just that you can't film an outline and find real creative success. That's exactly what happened. Zack Snyder took his expansive show bible and just filmed an outline of some basic plot points.
If you need to watch a film two or three times to just get the basic premise, then it's a failure in storytelling ( there's a difference between Christopher Nolan making his films impossible to understand the dialogue to the point where people might need to see it 3-4 times and wait to see it at home with subtitles just to know what is being said versus someone rewatching Terry Gilliam's 12 Monkeys or David Fincher's Se7en multiple times to find the easter eggs, clues and fan service built within it as rich layering to an already functional narrative. )
If you need to read a novelization to just get the basic premise, then it's a failure in storytelling
If you refuse to accept the limitations of your medium , then it's a failure in storytelling. ( i.e. trying to make a film out of something that will end up needing to be a TV series or a wave of books to actually cover the story in practical depth , much akin to how Dune needs to be a novel series first and foremost, because the story is too complex to handle in a single film with no other context)
There's very likely a damn good film hidden in Rebel Moon Part 1. But that's the thing, it's hidden. It's likely only needs 1/10th of it's current plot and 1/10th of it's current characters to deliver a good story. It's weighted down by the 9/10ths that becomes more and more fractured and incomprehensible. Why does the Krypton sequence work in Man Of Steel? Simple premise ( We don't want to die on a planet that is going to blow up soon) and two major characters who are caught in an ideological divide over the answer.
Snyder has to come to terms that the more he reveals about his "show bible", that he's probably formulated over decades, the more it becomes apparent that he should have written a series of novels instead, then after it was complete, let real market forces dictate whether it should be a film series.