Loved the FX but the story was average and worn. Wasn't the best film this year.
pretty much my thoughts as well ....
Loved the FX but the story was average and worn. Wasn't the best film this year.
D. Martin said:What planet are you living on Carl? That view is idealistic and would be great, but we live in a world where the all mighty greenback rules.
I'd be curious what the reasoning was behind the cinematographers that nominated it for the award. Because you're probably right - it's unlikely that there's a single shot that was touched by CG in some way.
I don't think it's flawed at all. I've articulated what I liked about the film - the characters and milieu are fascinating and beautifully written. It's tense, emotional and completely involving. I went into the film expecting nothing really - I'd never been impressed with Bigelow's films and I really don't like war movies set in the current day - so that I liked the film as much as I did really surprised me.
Not for all artists. There will always be at least some people who pursue the hobbies of expression without technology or commerce as an influence. That's part of what makes an Art form (any of them) what it is. At their most pure, they are timeless and will always have practioners out there somewhere. Hell, there are even caligraphers among us... a few who have even managed to maintain it as a trade.
You think Joe Sixpack or Hollywood cares about Crash anymore?
Of course that's where the industry ad a whole is quickly heading. And the lines between cinematography and visual effects become more diluted every day. I'm not disputing that at all, just disagreeing with any absolute notion that pure cinematography & film will be killed off entirely.D. Martin said:Some may still do it, but not professionally. Mater of fact, most of the DPs and camera operators I know shoot their personally stuff digitally these days.
I strongly disagree. Left in:
1. Avatar
2. The Hurt Locker
3. Up in the Air
4. Precious: Based on the Novel Push by Saphire
5. Inglorious Basterds
Left out:
6. Up
7. The Blind Side
8. An Education
9. District 9
10. A Serious Man
None of 6-10 stood a chance at winning BP.
I'm relieved that Avatar went home with something because it definitely deserved it. I didn't care about any of the other movies this year, except Precious, so I'm glad Mo'Nique won Best Supporting Actress for that. Hurt Locker = just another war movie. Inglorious Basterds = lame. But above all, do you know what movie I'm glad ended up with nothing? Moon. I hate that movie. Useless and bore. ing.
PS - I'm in a bad mood and it shows.
This post =Hurt Locker = just another war movie. Inglorious Basterds = lame. But above all, do you know what movie I'm glad ended up with nothing? Moon. I hate that movie. Useless and bore. ing.
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