MoS dragged like a ****.Better pacing
Not solid enough for a simple origin story.more coherent plot
Different style.slicker editing
no Eisenberg.
MoS dragged like a ****.Better pacing
Not solid enough for a simple origin story.more coherent plot
Different style.slicker editing
no Eisenberg.
Well people defending this movie keep saying how this Is a complete success because it MIGHT reach 1 billion.
So if box office is what matters....
I honestly still don't understand how the success of bvs is being measured, every week something else is what matters.
Last week it was the fans, but the fans are not really doing much repeated viewings... So the success of bvs is the barely reaching the billion, (which it might not do, it might top at 900 ) is 900 million a lot of money? Sure, but the studio expected passing the billion dollar mark.
Again Im not sure how success is being measured besides the whole "I loved it therefore is the most successful movie ever made just because I love it and the most perfect thing ever created just because i SAY SO!!"
Fits totally in line with what we saw from him in the movie, so I don't think it needed to be cut out. But yes, one more instance of making superman a bit darker. This is one area though, where I definitely agree that if you look at it from the standpoint of realism, Superman could only use the hearing power all the time if he were constantly flying around doing things like Samaritan in Astro City, with little to no time for any real life or alter ego stuff.Snyder on why he doesn't use his super-hearing:
Zack Snyder Explains SUPERMAN's Reluctance To Utilize Super Hearing And X-Ray Vision
True, nothing I love to heap praise on more than AOU.Now now, Hulk smiled after spitting his own tooth out in your precious AoU.
Riddick, he. . .he earned it.That ****** Show Me gif. I want to use it so bad sometimes but I feel like it's Riddick's for at least year or two. The way music used to be in Tarantino movies.
I'm sure WB sees the film a disappointment, not just critically, but financially. TDK made $534 million domestically and TDKR mane $448 million, and those were solo Batman films. BVS might not even get to $300 million domestically.
True, nothing I love to heap praise on more than AOU.
You mean the one with Jor-El? Backstory.
Can't really argue regarding Costner as Pa Kent, he definitely could have been written better.
Those are background characters. Giving them any kind of story would be unnecessary.
I don't have a problem with the tone in either MoS or BvS, and they're both pretty similar really. BvS maybe slightly darker.
Again, those are just backstory, though definitely a lot less necessary than Zod's. They would probably have been better off cutting a lot of that out.
MoS dragged like a ****.
Not solid enough for a simple origin story.
Different style.
It's funny that you can really tell what the formative Superman influences were on people by what most upsets them about these movies
I liked Death of Superman (not as much as Snyder, I'm sure, with all the "fun" deaths in this movie ), but I was a pre-teen at that point, and so it didn't resonate so much with me. The parts I liked best were actually those with the Justice League at the time, because you just never saw an enemy decimating a major team like that, and their having no recourse or way of ultimately winning out. He shrugged them off like insects. Even a Green Lantern (Guy Gardner) got his ass whupped. That was unusual at the time..
I'm sure Disney would have loved TFA to have surpassed ANH's adjusted for inflation take, or repeated what Avatar did in 2009/10 but being the new "highest grossing film" in a series or of all time or whatever just isn't typically a very realistic expectation to have.
A Jor-El Backstory is fine... but did we need an Avatar-esque battle scene and then a scene with a planet blowing up? Isnt that a bit much?
Written better, better acting, etc.
So you dont know and neither do I. They're unnecessary characters. Doesn't matter if they are in a scene or not.
The dark tone doesnt work for Superman but that is just me.
Poor writing is what it was.
Fits totally in line with what we saw from him in the movie, so I don't think it needed to be cut out. But yes, one more instance of making superman a bit darker. This is one area though, where I definitely agree that if you look at it from the standpoint of realism, Superman could only use the hearing power all the time if he were constantly flying around doing things like Samaritan in Astro City, with little to no time for any real life or alter ego stuff.
It was needed because it showed you what happened to Krypton. I know some people don't care about that sort of thing, but I do think it's necessary.
Zod had a crew. There were some who were part of the story, and some who weren't. We didn't need a scene dedicated to every single one of them.
Yeah, some parts of the script could have been improved. But, as a whole, there was nothing majorly wrong with it.
It was for this film. Again, a solo Batman movie beat this thing, domestically and internationally. We're not talking about being the biggest film ever, but when a movie that has the "trinity" for the first time on film can't even beat the last two solo Batman films, there's a big problem. BVS should have been the biggest pop culture event of 2016, easily. Hell, the last Transformers film, POTC and Fast and the Furious 7 made more...a lot more than BVS. That's embarrassing for WB/DC. It better beat Deadpool at least...that's how low the bar is, BVS is competing with DP
It isn't so simple as that. Timing is a big factor and you seem to be in "2012 mode." Shared universes are old hat. Batman is old hat, Supes isn't exactly the most beloved hero in the world (whether or not you want to blame MOS for that) and WW is cool but again, not some earth shattering titan that everyone was desperate to see on the big screen. Bryan Singer's X-Men in 2000 was the "first time" the X-Men were seen in live-action, first time seeing Wolverine and all that and it didn't even do Batman Forever numbers. Batman Begins, arguably the greatest superhero film ever made when it was released in 2005 (AND starring Batman) didn't surpass Burton numbers or either Spidey flick.
Again, there are a lot of factors at play and it's naive to assume that year after year, decade after decade, that whatever big name superhero or team-up will automatically meet or exceed the box office of what came before. As you indicated with Deadpool there is just so much competition now and popularity is stretched across so many heroes and series' now that there's no guarantee as to who will or "should" ever be on top in any given year.
You could have had a simple scene where Jor-El walks into the council and Zod and his crew has been apprehended. We dont know what he's done but it was enough to have him locked up. Zod sees Jor-El and says "Congratulations on the birth of your son. What I do, I do for me people". Later on when he's talking with Supe, he'd talk about what he did (probably killing people unjustly). And no phallic shaped rocket things. I'm actually probably the only person who thought Zod should not be the villain of the movie (or even in the movie).
They each deserved their own $250 million movie (kidding).
Sure, the boat is full of holes but it didnt sink.
Good is subjective. Success isn't. MOS was indeed successful.
EDIT: Actually if WB's intention was to follow MOS with MOS2 but they did an abrupt course correction by immediately bringing in Batman and WW instead (which I believe might have been the case) then you could argue that MOS did *not* do what it was intended to do, and therefore wasn't technically a success.
Yeah, they probably could've trimmed down the whole bit on Krypton, but had they taken too much it would have added a little too much mystery. Suppose since they paid for Russell Crowe they wanted to use him as much as possible
I wouldn't go as far as to say 'full of' but yeah, nicely put.
EDIT: Actually if WB's intention was to follow MOS with MOS2 but they did an abrupt course correction by immediately bringing in Batman and WW instead (which I believe might have been the case) then you could argue that MOS did *not* do what it was intended to do, and therefore wasn't technically a success.
It isn't so simple as that. Timing is a big factor and you seem to be in "2012 mode." Shared universes are old hat.
Batman is old hat, Supes isn't exactly the most beloved hero in the world (whether or not you want to blame MOS for that) and WW is cool but again, not some earth shattering titan that everyone was desperate to see on the big screen.
Bryan Singer's X-Men in 2000 was the "first time" the X-Men were seen in live-action, first time seeing Wolverine and all that and it didn't even do Batman Forever numbers.
Batman Begins, arguably the greatest superhero film ever made when it was released in 2005 (AND starring Batman) didn't surpass Burton numbers or either Spidey flick.
Again, there are a lot of factors at play and it's naive to assume that year after year, decade after decade, that whatever big name superhero or team-up will automatically meet or exceed the box office of what came before. As you indicated with Deadpool there is just so much competition now and popularity is stretched across so many heroes and series' now that there's no guarantee as to who will or "should" ever be on top in any given year.
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