As far as cinematography goes, I love the shot in H4 when Loomis first spots Michael and they use that neat zoom effect.
I think it was Yablans that commented on how they did that scene. He said that they had a small lamp or flashlight that slowly brightened on his mask. So he was always standing in the same spot but needed the light to bring his mask to the surface. Very creative for 1978 imo.
As far as cinematography goes, I love the shot in H4 when Loomis first spots Michael and they use that neat zoom effect.
I think it's called a "rack". I'm no film school grad, but one of my friends is and he calls it a rack everytime we see it in movies. H4 has a great one, and others that come to mind are Poltergeist and (the greatest) Jaws (when Brody sees Alex Kitner getting attacked).
I think it's done by moving the camera in while pulling the zoom out, or vice-versa.
Its called a "Dolly" zoom Blake.
Damn film school grad, no wonder he has not made a film yet...
I don't know the term, but it's a great visual, though from the explanation, it seems like a lot of work to do it, syncing everything up and all, though with computers today it's probably a piece of cake but not back in the 70s and 80s.
I've never seen his film, but according to the H4 director, the Dolly Zoom was pioneered by Hitchcock.
It doesn't really have a place in the franchise, that's the only thing that hurts it in my opinion.
I think that's what ultimately hurt sales and everything for them. If it hadn't had the Halloween 3 part of the title, it may have done better as just a new horror film, but apparently after just 2 movies, Michael had been burnt into people's minds and Halloween was synonymous with Michael Myers and you couldn't split them up. I think the filmmakers didn't realize that while they sort of saw Halloween as a title for films about bizarre happenings on the holiday, the audience had already come to expect Halloween to mean a Michael Myers movie.
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