Justice League Movie (Nov 17th, 2017)

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Civil War had very little humor, so if WB thinks jokes are the way to a billion, they're sadly mistaken. WB doesn't understand their characters and for some reason they are obsessed with The Dark Knight Returns Batman which isn't even the traditional Bats. JL seems to be influenced by Injustice, which is another what if story. :slap


I for one welcomed the big-screen DKR/Death of Supes/Injustice mashup!
 
Fun = recreation or entertainment.
I had a lot of fun watchin' BvS, in a good way.

And they call ME a jerk... :lol
 
Only cause he doesn't have a magic carpet.

I remember his Super Powers figure being a peg warmer back in the day.
 
Fan-Fic Thread 2.0!

Man, I can't wait to share my pitch for an X-Men series I've been tinkering with (still struggling with my Doom & Iron Man ideas as well).

Kidding aside (or am I?!) these all sound fantastic. Studios should take a note from fans once in a while.

Spoiler Spoiler:


Personally speaking, if I could helm one flick from the DCEU, I'd go with either Aquaman or Martian Manhunter. With the former, you'd be free to create a whole race, mythology and really explore a whole new universe. Add the political intrigue, and sprinkle in some Lovecraftian horror, and you've got a great foundation. The former would be a more personal flick, but again, you'd be able to explore things such as identity, attachment to the past, and lots of other more "character" driven ideas.

I'd read or watch the **** out of your X-Men. I don't have a whole lot of Marvel ideas; probably because I don't read a lot of Marvel, but, for me, it'd probably have to be The Punisher. For one thing, it'd be in real time like the MAX series, but there's no Central Park massacre. Even for the '70s, they'd have to be the stupidest mobsters ever to torture some dude in such a populated place as Central Park. I was thinking, more, New Jersey. Maybe Frank's from Jersey, and he proposed to Maria in a nearby field by a tree, and they decide to have their anniversary picnic there, with the kids. Imagine a couple of kids in the late '60s, early '70s, running barefoot through the field, laughing, playing; then they walk in on, basically, the scene from Casino where Joe Pesci gets beat to death, get scared ****less, and start trying to find their way back to the car where Mom and Dad are.

For me, I don't want Frank to be a machine; I want him to be broken. A guy who goes to his sister's for dinner and makes everything awkward by not talking, who, most nights, sits in front of the TV with a microwave dinner watching All in The Family until he looks over at his daughter's favorite stuffed animal and starts bawling. A guy who's trying to cope, trying to grieve...and then he gets mugged. And the next thing he knows, he's got a bullet in his shoulder and the dude who tried doing the mugging has half his head on Frank's boot, and thus begins a complicated relationship with Frank Castle and absolutely ****ing over every unlucky bastard he comes across in New York in the 1970s. I figure, maybe, the skull was his unit's emblem in the military and he has a t-shirt printed to signify the fact that he's back at war, or something. I'd also rather he have a short leather jacket than a long duster. Sort of The Punisher by way of the Ramones, and, even then, he's kind of just a guy who's pissed off at everything. He'd seen enough bloodshed for 12 lifetimes in Vietnam, he tries to deal with his family's death like a normal human being, but he can't go a single night in his apartment without hearing a gunshot or some woman screaming for help. He's just fed up, and he goes Travis Bickle on every criminal he comes across.

The show would be set from the 70s to the 80s, primarily, when Frank was able to operate without being apprehended. From then to now, he'd be in prison. Where you see him go from being a kid in the candy store, enjoying everyone who takes a shot at him, fails, and winds up dead, to being the quiet old guy who reads a lot and is up for parole soon. Outside of that, I'd need to think about it, more.:lol
 
I'd read or watch the **** out of your X-Men. I don't have a whole lot of Marvel ideas; probably because I don't read a lot of Marvel, but, for me, it'd probably have to be The Punisher.

Thanks! It's a bit rough, mostly because I never got into the X-Men. I like the idea of them, but the various concepts aren't that explored. Morrison went all in on the minority allegory, but the classic X-Fans hated (I loved it). Remender tried to do some more sci-fi stuff, but again, the old fans hated it. The X-Fanbase is a fickle bunch. They'd rather read stories where the mutants are playing baseball and Storm becomes The One Above All (the Bat-Wank is nothing compared to the Storm-Wank) rather than take the next step.

For me it's the reverse. I'm mostly into the fringe DC books and the Vertigo stuff, so I don't have many ideas for Green Lantern and the like. And since the fringe books are more often than not near perfect, I've really got nothing to add to DC. I mean, can you really improve upon Hellblazer, the 'Longbow Hunters" era of Green Arrow and the like?

Spoiler Spoiler:

That's a damn great spin, truth be told. Thus far we've had "Machine-Frank" (616) and Psychopath Serial Killer Frank (MAX), but we never really got a Castle who was a truly broken human being. Of the two "canon" versions I find the latter more interesting, especially with "Born", but I'd definitely love to read such a story. The setting & variation in his attitude really set this one apart.

Spoiler Spoiler:
 
Thanks! It's a bit rough, mostly because I never got into the X-Men. I like the idea of them, but the various concepts aren't that explored. Morrison went all in on the minority allegory, but the classic X-Fans hated (I loved it). Remender tried to do some more sci-fi stuff, but again, the old fans hated it. The X-Fanbase is a fickle bunch. They'd rather read stories where the mutants are playing baseball and Storm becomes The One Above All (the Bat-Wank is nothing compared to the Storm-Wank) rather than take the next step.

For me it's the reverse. I'm mostly into the fringe DC books and the Vertigo stuff, so I don't have many ideas for Green Lantern and the like. And since the fringe books are more often than not near perfect, I've really got nothing to add to DC. I mean, can you really improve upon Hellblazer, the 'Longbow Hunters" era of Green Arrow and the like?



That's a damn great spin, truth be told. Thus far we've had "Machine-Frank" (616) and Psychopath Serial Killer Frank (MAX), but we never really got a Castle who was a truly broken human being. Of the two "canon" versions I find the latter more interesting, especially with "Born", but I'd definitely love to read such a story. The setting & variation in his attitude really set this one apart.

Spoiler Spoiler:

I absolutely love the supernatural spin you put on things, as well as what you bring to the table with secret societies and the like. Also, Black Monday Murders is awesome. I dig the world building he does with each issue and it's a truly fascinating read. I kind of wish it was back from hiatus, but, at the same time, I have so many books coming in right now.:lol Yeah, though; I've never been a huge FF fan nor had much exposure to Doom, but that sounds right up my alley. I'd like to take Ra's Al Ghul in that direction, personally. Ancient Mesopotamia; city's being sacked, his family's dead; he gets on his horse and rides off into the desert. Eventually, the horse dies, then he runs out of water, and then he falls through a pit and discovers a Lazarus pit. I always thought it'd be kind of cool if, maybe, there was one Lazarus Pit and it was comprised of residual nutrients from Eden or some variation of a pointof creation, though, I think thematically, the former could work well, as you have that ability to grant life, as well as the corrupting influence.

From there, he'd gather disciples. People he could trust who would share the power with him. He saves them, and, should he fall in battle, they save him. That's how he's able to gather such loyal acolytes; immortality is a very strong incentive for one. Basically, he takes advantage of the time he has, learning, training, dying, being reborn, and he becomes a conqueror. I thought it'd be cool to kind of tie him in with Azrael and the Order of St. Dumas by having Ra's as a sort of legendary figure to the Christian Knights, who they feared; a man who could fight their forces like no one else, but would, nevertheless, fall in battle, only to return and kill some more after being resurrected.

To my mind, he should be the man with his fingers in everybody's pies. After centuries becoming a master of every facet of human culture; the greatest warrior, the greatest philosopher; he has countless bloodlines running throughout the world, heirs he uses to do his bidding, and, mostly, his bidding involves guiding humanity to its eventual damnation. His son might be the old man in the mountains of Afghanistan preaching about the Western devils, while his great-great granddaughter might be a US Senator voting for war. People are tools to him, and he thinks they need to be kept in check, lest they destroy all he's worked towards.

You could introduce a sort of illuminati aspect, where elites work in service of The Demon with the ultimate goal of becoming immortal, as he is.
 
I absolutely love the supernatural spin you put on things, as well as what you bring to the table with secret societies and the like. Also, Black Monday Murders is awesome. I dig the world building he does with each issue and it's a truly fascinating read. I kind of wish it was back from hiatus, but, at the same time, I have so many books coming in right now.:lol

Thanks! As for BMM, I just added it to my pull, so I still ned to get the first 4 issues. I just like Hickman and the subject matter, thus I pulled the trigger.

The problem I've always had with horror flicks was that for the most part, they rarely are truly original. They just add jump scares, guts, creepy imagery which yes, scare the hell out of me, but after a while you forget about them and nothing sticks with you. Which is a shame, since there's a whole lot of things to do with such aspects. I mean, why not explore the possibillity that all the cults, sacrifices and whatnot are ultimately useless, since these beings don't care?

I've heard a lot about the VVitch, and I may see it one day, but for me, it'd be better if in the end, the supernatural didn't exist. The witches were crazy old ladies, and Tomasin just went nuts. Have her "talk" with Black Phillip in the barn, but as she walks out and drops her clothes, the goat just goes back to doing... goat things. She joins the other crazy ladies and they all dance around the fire, nobody rising. There's no devil, there's no inherent evil, just a couple of wackos finding solace in madness and seeking refuge in an imaginary Lord's arms, who grants them power.

For me, to make the devil a singular entity that seeks to corrupt humans makes for an uneventful story. I much prefer a case where the various Angels that followed Lucifer's coup became a personification of each one of the Seven Deadly Sins, whereas Lucifer himself is a more "tragic" figure, akin to Milton's version. In the end, it wouldn't really be their motive to tempt the puny humans, that'd be their eternal punishment. Eventually they'd grow into their role, but I'd rather tackle them as 3-Dimensional characters and not as simply "Horned Humanoid Animals".

As for the various societies, what I dislike about comic books is that every time one of them gets destroyed, another, even more secret takes its place. Just decide on one (Illuminati/Cabal/New World Order) and make all the others offshoot organizations.


Yeah, though; I've never been a huge FF fan nor had much exposure to Doom, but that sounds right up my alley.

Like the X-Men, I like the idea of the F4 more than the actual execution. Which is why I loved Ultimate F4, as it just had 4 young explorers travelling the cosmos, and didnt mesh with any super-high-end-JRP boss battles. Ellis' Gah-Lak-Tus remains one of my favourite and utterly terrifying creations in comics. The best thing about that story was how they defeated him: Reed comes up with a plan, the Ultimates, the X-Men, everyone gathers, they do some damage, and then it's revealed that the Engine is still going. So what does the A.I. do? It deems the human race far too primitive, since the best they could do damaged about 1% of the fleet, and it just... goes away. The heroes don't win, the cosmic judge just ignores them. And that's far more terrifying than anything.

As for Doom, despite his rivalry with Reed, he doesn't have anything to add to such a franchise. He makes a much better antagonist to Iron Man, as they are both reflections of each other. Tony is what Victor could've been, had he been born in the US, to wealthy parents, and Doom is what Stark could've been had he not found his purpose in life. But even then, Tony had mostly negletful parents, leading to his depression and alcoholism, whereas Vic had loving parents, whose deaths scarred him, but left him with a drive. There are tons of paralels between the two, and it'd make for great clashes.

The thing with Doom is that he's fearless to an absurd degree. He'll do anything, within certain parameters, to get what he wants, even if that means performing rituals, contacting demons and hellhounds, bargaining with devils, all of that. Stark might have some sort of "devil may care" attitude, but he's not that much of a headstrong guy. I mean, you just have to see their interactions with a pissed off Thor. Doom straight up throws his cousin's corpse in front of him, taunts him and tries to kill him, whereas Tony tries to bargain and gets scared ****less.

Another thing that'd be nice, is to explore the varying degrees of spirituality between the two. See, it's become a recent trend in Marvel to turn every scientist they have into an atheist, which is pretty ignorant if you ask me. Ever since, what, 2014 or so, every "introduction" to them has a little narration box going "I was 6 when the idea of God became absurd"/"I never had much use for such things" and it just reeks of "hurr durr, me smart, that's how smart folks talk". I get the why, considering the leaps science has made, but it's a tad pretentious to pretend that all smart people completely disregard anything that's not material. So far, they've made this change to: Reed, Pym, Stark & Spider-Man. Reed and Peter literally shook hands with God, Pym played with Magic, and Tony weilded Excalibur, met Merlin and has seen excorcisms and tangled with Ghost Rider. After a while, it gets silly to pretend they live in our world where such things are up to debate.

I'm not asking for all of them to be going to church on Sundays, but a little variety wouldn't hurt. Explore deism, panetheism, pantheism, all these could be considered philosopical movements if the religious aspect is too much. Just... try something different. Currently they read as carbon copies of each other, just with a single trait. Pym is a depressed crazy person, Tony is RDJ-lite & Reed is automaton-two-point-oh. They have no unique characteristics. The moments when Tony breaks down and prays or just looks for salvation and can't find it are among my favourites, and I'd really like to play with that contrast between him and Doom, as Victor would never seek anything from anyone. He could be staring God in the eye and just tell him to **** off 'cause his experiment was a disaster.

Spoiler Spoiler:

That's damn great. It could easily be the basis of a solo. Give him Vandal Savage as a nemesis, and go from there.
 
Laurence Fishburne on why he's not in Justice League


"They asked me to come for a day, but I couldn’t work it out, schedule-wise," the actor explained. "And really, what do you need the newspaperman in Justice League for? You want to see the Flash. You want to see Aquaman. You want to see Wonder Woman. You want to see the Lantern."


If only Amy Adams had said no to BVS :lol Maybe GL is in JL?


On Marvel vs DC films

"We’ve been waiting 35 years for these [characters] to show up on the screen. What were they doing over there? Marvel has been kicking their ass. This is the comic-book geek in me, who has a collection of comic books. I’ve been waiting to see these people on-screen forever."


On Batman V Superman hate.
*
"Look, I love what Zack Snyder does. Jesse Eisenberg, this little nebbishy guy, as Lex Luthor? For me, that’s a genius move. And the whole thing with Martha Kent and Martha Wayne? I don’t know, man, I must be sentimental but that’s some heartwarming [stuff] to me. So I don’t get it."

https://www.comicbookmovie.com/just...e-turned-down-justice-league-role-and-a148878
 
Thanks! As for BMM, I just added it to my pull, so I still ned to get the first 4 issues. I just like Hickman and the subject matter, thus I pulled the trigger.

The problem I've always had with horror flicks was that for the most part, they rarely are truly original. They just add jump scares, guts, creepy imagery which yes, scare the hell out of me, but after a while you forget about them and nothing sticks with you. Which is a shame, since there's a whole lot of things to do with such aspects. I mean, why not explore the possibillity that all the cults, sacrifices and whatnot are ultimately useless, since these beings don't care?

I've heard a lot about the VVitch, and I may see it one day, but for me, it'd be better if in the end, the supernatural didn't exist. The witches were crazy old ladies, and Tomasin just went nuts. Have her "talk" with Black Phillip in the barn, but as she walks out and drops her clothes, the goat just goes back to doing... goat things. She joins the other crazy ladies and they all dance around the fire, nobody rising. There's no devil, there's no inherent evil, just a couple of wackos finding solace in madness and seeking refuge in an imaginary Lord's arms, who grants them power.

For me, to make the devil a singular entity that seeks to corrupt humans makes for an uneventful story. I much prefer a case where the various Angels that followed Lucifer's coup became a personification of each one of the Seven Deadly Sins, whereas Lucifer himself is a more "tragic" figure, akin to Milton's version. In the end, it wouldn't really be their motive to tempt the puny humans, that'd be their eternal punishment. Eventually they'd grow into their role, but I'd rather tackle them as 3-Dimensional characters and not as simply "Horned Humanoid Animals".

As for the various societies, what I dislike about comic books is that every time one of them gets destroyed, another, even more secret takes its place. Just decide on one (Illuminati/Cabal/New World Order) and make all the others offshoot organizations.




Like the X-Men, I like the idea of the F4 more than the actual execution. Which is why I loved Ultimate F4, as it just had 4 young explorers travelling the cosmos, and didnt mesh with any super-high-end-JRP boss battles. Ellis' Gah-Lak-Tus remains one of my favourite and utterly terrifying creations in comics. The best thing about that story was how they defeated him: Reed comes up with a plan, the Ultimates, the X-Men, everyone gathers, they do some damage, and then it's revealed that the Engine is still going. So what does the A.I. do? It deems the human race far too primitive, since the best they could do damaged about 1% of the fleet, and it just... goes away. The heroes don't win, the cosmic judge just ignores them. And that's far more terrifying than anything.

As for Doom, despite his rivalry with Reed, he doesn't have anything to add to such a franchise. He makes a much better antagonist to Iron Man, as they are both reflections of each other. Tony is what Victor could've been, had he been born in the US, to wealthy parents, and Doom is what Stark could've been had he not found his purpose in life. But even then, Tony had mostly negletful parents, leading to his depression and alcoholism, whereas Vic had loving parents, whose deaths scarred him, but left him with a drive. There are tons of paralels between the two, and it'd make for great clashes.

The thing with Doom is that he's fearless to an absurd degree. He'll do anything, within certain parameters, to get what he wants, even if that means performing rituals, contacting demons and hellhounds, bargaining with devils, all of that. Stark might have some sort of "devil may care" attitude, but he's not that much of a headstrong guy. I mean, you just have to see their interactions with a pissed off Thor. Doom straight up throws his cousin's corpse in front of him, taunts him and tries to kill him, whereas Tony tries to bargain and gets scared ****less.

Another thing that'd be nice, is to explore the varying degrees of spirituality between the two. See, it's become a recent trend in Marvel to turn every scientist they have into an atheist, which is pretty ignorant if you ask me. Ever since, what, 2014 or so, every "introduction" to them has a little narration box going "I was 6 when the idea of God became absurd"/"I never had much use for such things" and it just reeks of "hurr durr, me smart, that's how smart folks talk". I get the why, considering the leaps science has made, but it's a tad pretentious to pretend that all smart people completely disregard anything that's not material. So far, they've made this change to: Reed, Pym, Stark & Spider-Man. Reed and Peter literally shook hands with God, Pym played with Magic, and Tony weilded Excalibur, met Merlin and has seen excorcisms and tangled with Ghost Rider. After a while, it gets silly to pretend they live in our world where such things are up to debate.

I'm not asking for all of them to be going to church on Sundays, but a little variety wouldn't hurt. Explore deism, panetheism, pantheism, all these could be considered philosopical movements if the religious aspect is too much. Just... try something different. Currently they read as carbon copies of each other, just with a single trait. Pym is a depressed crazy person, Tony is RDJ-lite & Reed is automaton-two-point-oh. They have no unique characteristics. The moments when Tony breaks down and prays or just looks for salvation and can't find it are among my favourites, and I'd really like to play with that contrast between him and Doom, as Victor would never seek anything from anyone. He could be staring God in the eye and just tell him to **** off 'cause his experiment was a disaster.



That's damn great. It could easily be the basis of a solo. Give him Vandal Savage as a nemesis, and go from there.

Oh, and Suicide Squad. It'd be a period piece set in the late 1960s. A combination of New Squad with Supervillains and Silver Age Squad. Floyd Lawton would be a Korean War Vet turned Contract Killer. A smooth operator who hates authority figures (he "accidentally" killed his CO in Korea, as he was an idiot that was going to get everyone killed, for instance), and as a good old boy who from the segregated south, he about chokes when he finds out that Amanda Waller is the one giving all the orders. Rick Flag is the Lee Marvin type who believes in this program and has to prove its worth to his superiors.

Bronze Tiger is basically a combination of Muhammad Ali and Brando from "Apocalypse Now!" A young, African American man drafted to Vietnam, when his Squad gets wiped out, he becomes a deserter and starts his own compound filled with acolytes. He helps with the geography. Plastique speaks fluent French, which will come in handy for their mission. You also have members like Karin Grace and Jess Bright from the original Squad playing roles. I'd also get Slade Wilson in there as a young, wet behind the ears private who's, basically, put in place as a sort of liaison/would-be caretaker. Their mission: A stolen Superweapon has been located in French Indochina, and they must get to it before the terrorists can use it to decimate the West. Their targets? Outsiders; remnants of the Third Reich. A Nazi mad scientist who just so happens to have transferred his brain into a robotic super computer before he could be apprehended (not exactly worth it to hang a Nazi, when you find him sprawled out on a table with his brain scooped out), and his former experiment turned lover: a French speaking Silver Back named Monsieur Mallah.
 
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Oh, and Suicide Squad. It'd be a period piece set in the late 1960s. A combination of New Squad with Supervillains and Silver Age Squad. Floyd Lawton would be a Korean War Vet turned Contract Killer. A smooth operator who hates authority figures (he "accidentally" killed his CO in Korea, as he was an idiot that was going to get everyone killed, for instance), and as a good old boy who from the segregated south, he about chokes when he finds out that Amanda Waller is the one giving all the orders. Rick Flag is the Lee Marvin type who believes in this program and has to prove its worth to his superiors.

Bronze Tiger is basically a combination of Muhammad Ali and Brando from "Apocalypse Now!" A young, African American man drafted to Vietnam, when his Squad gets wiped out, he becomes a deserter and starts becomes the leader of a compound filled with acolytes. He helps with the geography. Plastique speaks fluent French, which will come in handy for their mission. You also have members like Karin Grace and Jess Bright from the original Squad playing roles. I'd also get Slade Wilson in there as a young, wet behind the ears private who's, basically, put in place as a sort of liaison/would-be caretaker. Their mission: A stolen Superweapon has been located in French Indochina, and they must get to it before the terrorists can use it to decimate the West. Their targets? Outsiders; remnants of the Third Reich. A Nazi mad scientist who just so happens to have transferred his brain into a robotic super computer before he could be apprehended (not exactly worth it to hang a Nazi, when you find him sprawled out on a table with his brain scooped out), and his former experiment turned lover: a French speaking Silver Back named Monsieur Mallah.

I'd read that... I'd read the hell out of that. Probs for not using Harley, as her involvement is what made the Squad go from a mature book to a Bayformers level of plot and characterization.
 
I'd read that... I'd read the hell out of that. Probs for not using Harley, as her involvement is what made the Squad go from a mature book to a Bayformers level of plot and characterization.

I don't know how I'd use Harley in my Batman stories because I don't know how I'd use Joker. Part of me thinks he should be a sort of fame obsessed homicidal glam rocker from the late '80s, sometimes I think make him a bit more mature and basically just make him a sort of sadistic used car salesman who puts a murderous spin on cheesy dad jokes. The one idea I had was that he's just a handsome, manipulative sociopath who plays everyone. Make him a sort of permawhite GQ model who appeals to Harley not only as someone she's sexually attracted to (thus, putting her in a vulnerable position where she'd want to believe him), but a guy who acts like nothing's his fault; like he's being framed for his crimes by Batman and the GCPD and they're the ones who did this to him; he woke up in a jail cell, accused of a bunch of horrific crimes, not remembering who he was with green hair and white skin. But, for instance, I thought, maybe, they "escape" Gotham. Go out and live on a farm with aliases, he dyes his hair and gets a job, and then he brings some poor sap "home" from the bar. Says the guy recognized him from the news and is a pedophillic child killer (in reality, again, he's just some random dude) who considered himself a "fan" and wanted to work with him. Frames it as though he freaked out when the guy recognized him and is horrified by what he's done and what he wants to do, and, basically, pressures Harley into killing the guy out of love because he's not strong enough, then revealing his true colors and putting her in the position of someone he can control, now that he has something on her.

On the flip side, I thought you could also do something where you interpret it "realistically." In that you take the whole Red Hood origin with the chemical bath, but treat it as if it was someone who actually took a trip into a chemical bath. He's a John Doe because they can't recognize him, as the chemicals have burned away at his skin, eroded his teeth, etc. It's kind of a miracle that he survived, but, now, he has a pretty valid reason for hating Batman, and he's also in a position where you can understand how someone like Harley might pity him. I figure maybe the Joker aspect comes into play in one of those plastic masks they make for burn victims with a creepy sort of clown face printed on it, and you, could, truly, make him Batman's greatest villain in the sense that, due to the physical limitations of his condition, he plots all of his "jokes" behind the scenes, and acts as a sort of master manipulator a la Blofeld or The Octopus from The Spirit.

So, yeah; sometimes, it's hard to choose where you'd like to go with it, I guess.:lol
 
I don't know how I'd use Harley in my Batman stories because I don't know how I'd use Joker. Part of me thinks he should be a sort of fame obsessed homicidal glam rocker from the late '80s, sometimes I think make him a bit more mature and basically just make him a sort of sadistic used car salesman who puts a murderous spin on cheesy dad jokes. The one idea I had was that he's just a handsome, manipulative sociopath who plays everyone. Make him a sort of permawhite GQ model who appeals to Harley not only as someone she's sexually attracted to (thus, putting her in a vulnerable position where she'd want to believe him), but a guy who acts like nothing's his fault; like he's being framed for his crimes by Batman and the GCPD and they're the ones who did this to him; he woke up in a jail cell, accused of a bunch of horrific crimes, not remembering who he was with green hair and white skin. But, for instance, I thought, maybe, they "escape" Gotham. Go out and live on a farm with aliases, he dyes his hair and gets a job, and then he brings some poor sap "home" from the bar. Says the guy recognized him from the news and is a pedophillic child killer (in reality, again, he's just some random dude) who considered himself a "fan" and wanted to work with him. Frames it as though he freaked out when the guy recognized him and is horrified by what he's done and what he wants to do, and, basically, pressures Harley into killing the guy out of love because he's not strong enough, then revealing his true colors and putting her in the position of someone he can control, now that he has something on her.

On the flip side, I thought you could also do something where you interpret it "realistically." In that you take the whole Red Hood origin with the chemical bath, but treat it as if it was someone who actually took a trip into a chemical bath. He's a John Doe because they can't recognize him, as the chemicals have burned away at his skin, eroded his teeth, etc. It's kind of a miracle that he survived, but, now, he has a pretty valid reason for hating Batman, and he's also in a position where you can understand how someone like Harley might pity him. I figure maybe the Joker aspect comes into play in one of those plastic masks they make for burn victims with a creepy sort of clown face printed on it, and you, could, truly, make him Batman's greatest villain in the sense that, due to the physical limitations of his condition, he plots all of his "jokes" behind the scenes, and acts as a sort of master manipulator a la Blofeld or The Octopus from The Spirit.

So, yeah; sometimes, it's hard to choose where you'd like to go with it, I guess.:lol

These are both nice spins on the Joker. But yeah, more often than not, you have all these little neat ideas for a character or a story, and can't decide which one to choose.

Personally, I like my Joker somewhat... unpredictable. I don't like his horror/slasher look, as I prefer his old, "playful gangster" style. I walways envisioned him as some sort of messed-up Frank Sinatra, complete with a singing voice and a dapper style. But I'd be lying if I said I also didn't enjoy the hyper-sane version of Morrison, who's something out of the darkest pits of hell. So, ideally, I'd have him be somwhere in the middle. Charismatic and stylish enough to really be someone people gravitate towards, but when the curtains close, he's just as sadistic.

As for his relationship with Batman, I think that making it a personal vendetta with a clear reason why, takes away from the Joker's appeal as this totally nuts and unpredictable loony. I enjoyed the Snyder take, where's he's still probably an average human, but he enjoys tormenting Batman so much, he went all the way to make him believe he's some immortal demon. Some hated it, but I enjoyed that aspect.

The thing with comic-book characters is that some are overexposed, but never deviate from a path, while others are rarely seen, and barely have any characterizatiom, plus a third kind, where their views and quirks vary. But it's fun to reimagine them in different universes and under different circumstances. A fan's biggest problem is just settling on one story/character/version/whatever IMO.
 
Yup, I literally have an entire scripted origin of the Parasite where Otis (in this version, Luthor's head of security) and some other dude dispose of corporate whistleblower turned State's Witness Rudy Jones' body that reads like something out of a Tarantino movie, but using it is kind of a conundrum, considering the tone of the whole 1938 Superman thing. It's like "you can't have warm hearted Spielbergian wonder, allthewhile dudes are dropping F-bombs and dropping bodies in that same universe.":lol
 
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