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It's interesting that no one is really empathizing with Isaiah's story, or the emotions that Sam is wrestling with. It's just people upset that the show even brought it up.
I'm a little unclear about Isaiah's story. I understand what he is supposed to represent in this allegory... but I'm not clear on what his actual history is. What I gathered: he was a soldier that got the super-serum and it worked so well that they (the government) started experimenting on him to see why? A nurse took pity on him and helped him escape. And now he's in hiding, protected by two basketball players outside. I'm certain I'm missing more of the story here.
I'm a little unclear about Isaiah's story. I understand what he is supposed to represent in this allegory... but I'm not clear on what his actual history is. What I gathered: he was a soldier that got the super-serum and it worked so well that they (the government) started experimenting on him to see why? A nurse took pity on him and helped him escape. And now he's in hiding, protected by two basketball players outside. I'm certain I'm missing more of the story here.
It's interesting that no one is really empathizing with Isaiah's story, or the emotions that Sam is wrestling with. It's just people upset that the show even brought it up.
It's interesting that no one is really empathizing with Isaiah's story, or the emotions that Sam is wrestling with. It's just people upset that the show even brought it up.
The general vibe seems to be that nobody wants their escapist fantasy tainted by the issues of the day. Some people think it's too heavy-handed, some people foam at the mouth and scream "AGENDA!1!", others just want action and superhero landings. I don't know how I feel about any of it anymore, to be honest. Not the issues of the day -- the whole genre.
"You will no longer need that shield. Basketball players, leave us. Oh, I'm afraid the boat will be quite operational when the flag smashers arrive." *cackles evilly*
Holy crap lol
This show has shown more boat maintenance than even Aquaman!
Don’t forget whiny Isaiah
The Falcon and the Whiner Soldier
Boo Hoo I have super strength but i’m going to be a coward and whine all my life about the white devil while white Steve Rogers stands up ALONE to freaking Thanos to save my *** and all of humanity including every race and culture!
I didn't, lol.
Holy crap. I didn't even realize that. "I can join the fight anytime and use my super strength and reflexes to assist countless innocents but I refuse because I might get killed." He's the freaking anti-Steve. Don't worry Isaiah Steve will lead the armies of Wakanda into battle for you--TWICE.
Or Bucky who was used and abused decades longer than Isaiah and is assumedly a marked man by God knows how many government agencies is doing his part to make the world a better place.
Even loser Walker who was criminally underequipped by his government to go toe to toe with Enhanced beings and then publicly disgraced moped for about 30 whole seconds before immediately getting ready to suit up for battle again.
That's cause you'll be thrown into their concentration camps!
It's interesting that no one is really empathizing with Isaiah's story, or the emotions that Sam is wrestling with. It's just people upset that the show even brought it up.
Not very.
What is there to re-watch? The great action -- No. A great story -- not really? Acting -- no. Some amazing cliffhangers... or important MCU history... not too much.
But if you like Louisiana fishing boats -- YES!!!
In truth, I like the idea of bad Captain America and his fall... it was just delivered so heavy-handed that it became more message than story. The message should never be so obvious upon first viewing. It should be subtle. It should be hidden in plain sight but beneath action and the story at hand. Then, on 2nd viewing you realize the ulterior meaning, the true meaning. That's when stories feel like they have depth -- when you have to pull back the layers. Not when its spoon-fed to you.
Is upset = irritated? Well, yeah. Am never thrilled with what I think of as blatant, rather forced narratives that are sort of a one-up-man ship of well-established characters that have been around for a good while. So I don't like the Truth comic anyway. Just like I don't like feminized established male characters.
We have a character, who does the same thing Captain America does (narrative repeat #1), and then takes on the Winter Soldier (narrative repeat #2 - and is able to find this "ghost" when NO-ONE else can), and then kicks his butt and takes his arm off (narrative repeat #3, but hey, he's even better than Steve Rogers at it, and for that matter, Iron Man, who needed an advanced arc reactor to do the same thing -oh, and Bucky was crushing IM's suit at one point) and is tortured and experimented on (narrative repeat #4) but his suffering, is WORSE e.g. "better". Doesn't compute.
Not that Carl Lumbly didn't do a fantastic job in the part. But there's nothing even the best actor can do when at least some of the audience has been there, done that or stuff feels like bs within the rules of a created world.
As for Sam, for me anyway, doesn't compute either that all of a sudden this guy is having all this angst, when after several movies in, he seemed like one of the most grounded of the characters. Since Riley was such a good friend Sam actually left the military after he death, to me seems like he already would have worked a lot of stuff out. Or he shouldn't have been a counselor. It's like Spellman & co. forgot the audience already has a long history with Cap & his friends, and decided to write up some depressing OTT current event fan fiction. Apparently a lot of people do like it. I feel like "eh".
Think I feel something similar....I'd argue the performances are great tho. Except - while Anthony Mackie is a fine actor, this part requiring a pretty much constant grimness isn't playing to his strengths.
Heavy handed - yeah. I keep thinking of the interchange between Nat and Steve in TWS "I thought I knew the lies I was telling...I guess I can't tell the difference anymore". Like, this is a fairly brief scene, but IMO perfect. It telegraphs volumes about what Nat is going through, and her loss, without banging you in the head with it.
Guess it's a style preference but so far, the Russos and their writers Markus and Mcfeely are gonna stay my favorite MCU showrunners/writers. To me feels very clean, tight, editing. A good balance between action and quiet moments.
Not gonna say FWS is bad - it's just - it's too stuck in a Louisiana swamp, for me. SO MUCH ANGST.
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