Well, okay then. Should be interesting to read.
I just wonder if you've ever considered the possibility that movies can be judged based on the intended takeaway. In other words, if someone uses the cinematic medium with the intention of doing nothing more than providing a thrill ride for kids (and young-at-heart adults), then aren't those movies which are met with wild levels of enthusiasm fit to be considered a masterful use of the art form? Not all films and filmmakers with this intention actually succeed, much less use the medium to create a wildly popular entry.
Entertainment is one of the primary aims of cinema, is it not? That's just as important a metric of greatness to me as any sort of technical merit, innovative influence, or philosophical statement.
To use one of the films that you cited as a masterpiece, 2001 is unquestionably an unparalleled example of visual storytelling that broke new ground and influenced countless future filmmakers. But were audiences largely entertained? And is there even a coherent statement being made about the human condition with respect to where we've been and where we're going?
The ambiguity of 2001's plot and message is something I actually do appreciate, but fails to meet a standard that a film like Schindler's List (for example) achieves. With Schindler, even an audience fully aware of the historical atrocity comes away feeling it on a deeper level because it took a macro reality and humanized it by providing a compelling micro reality with personal and relatable experiences that resonate emotionally. It stays with you. I found it riveting on levels that 2001 could never achieve. Better acting, better pacing, and without sacrificing technical or intellectual merit.
You can make an objectively proficient film on a technical basis, and still have it met with critical and commercial apathy if it doesn't go beyond that, or if it simply fails to be entertaining. Some Godard films I enjoy watching, others I can't sit through. All innovative and pioneering, but not all engaging. Where's the line between technical proficiency and making something engaging when it comes to determining what a masterpiece is? To applaud proficiency and smirk at visceral entertainment misses the point of movies, IMO.
And that's what I took away from your posts, me.