- Joined
- Sep 24, 2016
- Messages
- 482
- Reaction score
- 8
It's ironic - quite a talented "real filmmaker" like Johnson strikes out with SW, while the return of a mediocre shaper of intellectual property like JJ emerges as the savior of SW. Maybe it really just comes down to a love of the material, and JJ beat Johnson on that front.
Yeah, I see your point. You may be onto something, there. I really liked Johnson's film "Looper", quite a bit. I've seen it twice. His mishandling of this film really took me by surprise.
I think part of the problem is that Johnson approached the film like a Game of Thrones episode, instead of serial fiction. Instead of breaking the film up into acts, he wrote it as a series of interwoven subplots that got away from him. That, and I think his narrative structure was too video game-esque, where people headed straight for the object of their desire, achieved it, then moved onto the next... It was a very amateurish narrative structure. He's just not a very good writer.