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I'mma play the random post game, where I respond to random thoughts in the thread! Woo!
Flashbacks....if you've ever seen a Nolan movie, you should've expected them. He does them ALL THE TIME. I think TDK had very little....but Begins was filled with flashbacks, The Prestige, Inception, MEMENTO obviously. It's one of his staples.
Another thing as well is people are picking apart this movie. You shouldn't. Nolan is a big picture guy. He does look at the small details, but for the most part, you get sucked into his films. He allows you to feel the emotion, and weight of the scene, weather it's action, or whatever.
That's why Inception works. It's not a deep film. It's a pretty simple film, it's just complex in it's workings. But the emotion that drives it, is what makes that film work. That's why Nolan is a great director. He relies on emotion. And characters. Rather then the plot, and story to guide his films. (Oh he does that too. So don't get snippy here)
Not a lot of filmmakers can do that today.
Flashbacks....if you've ever seen a Nolan movie, you should've expected them. He does them ALL THE TIME. I think TDK had very little....but Begins was filled with flashbacks, The Prestige, Inception, MEMENTO obviously. It's one of his staples.
Another thing as well is people are picking apart this movie. You shouldn't. Nolan is a big picture guy. He does look at the small details, but for the most part, you get sucked into his films. He allows you to feel the emotion, and weight of the scene, weather it's action, or whatever.
That's why Inception works. It's not a deep film. It's a pretty simple film, it's just complex in it's workings. But the emotion that drives it, is what makes that film work. That's why Nolan is a great director. He relies on emotion. And characters. Rather then the plot, and story to guide his films. (Oh he does that too. So don't get snippy here)
Not a lot of filmmakers can do that today.