Nah the Elton John shades scene was were it went downhill. How that made it into the movie I will never know.
Oh yes of course. How could I forgot that gem. Ugh!!
Nah the Elton John shades scene was were it went downhill. How that made it into the movie I will never know.
Cuz it was big 'n crazyJames Cameron himself loves T2 more.
Arnie as protector only worked once. And I think that's all it could ever have managed. After that it was why do this again. Why does an audience need to see that scenario again? Well...they don't. Not to mention it starts to get silly in the context of the T-universe. Why is it always an Arnie model? There were other models of T-800 Terminators.
Because anyone trying to defend T3 would be ridiculed relentlessly by everyone until they left the forum forever in a rage.Ummm, excuse me you guys! What isn't Terminator 3 in this discussion!!!???!
Cuz it was big 'n crazy
T1 and Predator - two great examples of a simple genre movie doomed to lost in B-garbage shelves became cinema classic due to the work of many talented ppl in a very restricted environment.
T2 = T1 with a bugdet and all its attendant problems.
You can add Robocop to that list as well mate. Robocop 2 and 3 however, hell no and I will not even mention the upcoming imposter.
My point is that I think there is dramatic value in restraint. T2's decisions were made so that Cameron could raise the bar, expand the scope, and really explore the boundaries of technology. Toward the end of making a great action film, he succeeded. But with T1, less is more IMO. Maybe it was largely due to Cameron simply not having as many resources at his disposal, but then he had to really focus on mood and drama over effects and spectacle.
Cuz it was big 'n crazy
T1 and Predator - two great examples of a simple genre movies doomed to lost in B-garbage shelves became cinema classics due to the work of many talented ppl in a very restricted environment.
T2 = T1 with a bugdet and all its attendant problems.
You didn't like robo 2? I thought it was great. But yea, robo 3 needs to die painfully.
Well let's look at your Lucas example. '77 Star Wars, he had limited resources, had to be creative to tell the story he wanted to, and created a masterpiece of film.James Cameron - no restraint - makes great, highly entertaining films.
George Lucas - no restraint - makes utterly crap films.
Point is - no harm done. T2 somehow still managed to be a great film so what are we even debating about? Why the need?
Arnold doesn't agree -
https://www.youtube.com/watch?v=_O-QqC9yM28
All joking aside T3 should not be mentioned in the same sentence as the original two.
Well let's look at your Lucas example. '77 Star Wars, he had limited resources, had to be creative to tell the story he wanted to, and created a masterpiece of film.
'99 Star Wars, he had every tool he could want, any actor he could ask for, no real restrictions on time or scale. And the movie sucked horribly.
Restraint, albeit forced restraint, led to a vastly superior film.
Whatever it takes to prove that you are wrong!I suppose I'm just not sure what people are arguing - is it merely to restate ''T1 is better and here's why'' or is there an element of ''if Cameron had done X and Y T2 could and should have been the better film?''
Yeah, Cameron really is a great filmmaker. Some people crap on True Lies, but I thought even it was fun. Love Paxton's character in it.
Clearly, some filmmakers are just good, no matter what. I would add Spielberg to that list. But I think there's another example where the bigger the scale, the lesser the product in many cases. AI and War of the Worlds didn't have nearly the impact that Close Encounters or ET did, for example.
Whatever it takes to prove that you are wrong!
He is, despite how popular it is to slag him off nowadays. There's not one of his films I don't enjoy and wouldn't rewatch again and again. Except for Piranha 2 but that hardly counts.
https://youtu.be/eRJaxNoPcBM?t=7m20s
I've got polls and popular opinion on my side
Yeah, Cameron really is a great filmmaker. Some people crap on True Lies, but I thought even it was fun. Love Paxton's character in it.
Clearly, some filmmakers are just good, no matter what. I would add Spielberg to that list. But I think there's another example where the bigger the scale, the lesser the product in many cases. AI and War of the Worlds didn't have nearly the impact that Close Encounters or ET did, for example.