It also made the movie about that. It was really interesting. It suddenly made the movie about X-Men dying, as opposed to allowing the movie to be a kind of unwinding onion, like allowing you to kind of enter the story and go, “Where is this going?” It was so large and loomed so large, and I felt like it also was still falling into the formula of the movies, with the big opener, that is setting up the mythology first. I thought, “What if we do an opener that leans into character first? Actually underplay those things?” Let them just feel like it’s more like a—what’s that?