Can you tell us anything about how the Harvey Dent or Two-face makeup worked? Because Aaron didn't want to talk about it.
Christopher Nolan: Oh yeah? Well, the thing I will say which, depending who your audience is, certainly for film sophisticates, if you like, it's very apparent that it's done primarily using computer graphics. And that was a choice I made because I wanted the look to be so extreme as to be a little bit fanciful. When we looked at doing sculpts of the look, you know, in clay, of Aaron's face and how it would look degraded in different ways, uh, the more subtle the mutilation, the more horrible and depressing it was somehow, and it's the one area of the film where I felt that being a little more fanciful, being a little bit less uh, less real, realistic I should say, and having just a lot of interesting sculptural detail in it for the audience to look at, have a morbid fascination with--that was the term we were looking for. We don't want people to, you know, we don't want them throwing up their popcorn and we don't want them looking away from the screen. We want them to be able to engage with his character. So we wanted it to be a little bit fanciful.
