Hmmm...
I've read that the Holiday Special was the source of childhood trauma for some.
I didn't watch it until much, much later. It's a strange curio, whose only real point of interest is the appearance of Boba Fett. I guess it got on the aeroplane due to its proximity to the source and associated historical significance.
The real Dark Passengers are the PT and ST. Both born during brutal attempted murders of Star Wars, first at the hands of George Lucas, then at the hands of Kathleen Kennedy, even if done so only out of misplaced sentiment.
Lucas came at the PT with a different mindset. If original Star Wars was anti-imperialist, anti-Vietnam War, the PT was anti-imperialist post Gulf War. He was now more concerned with the political machinations of how empires are built, not just through brute force, but through propaganda and misinformation.
The ST is likewise self-conscious, but now more concerned with the gender war. Poe Dameron had to be made an example of due to his reckless 'toxic masculinity', but it was only a temporary punishment until he'd learned his lesson.
In the OT it wasn't so on the nose. Leia repeatedly attacked Han for his reckless, selfish behaviour, and it was all part of the humour and his roguish nature. He makes the right call at the end of Star Wars when he returns to the Battle of Yavin.
In the ST the bringing down of Poe was humourless and humiliating.
Lucas and Kennedy couldn't kill Star Wars though. There are too many hands fighting to keep it alive, those who remember what Star Wars originally was.
Rather than dying it adapted into lifelines such as Rogue One, Solo and The Mandalorian.
To continue...
There's nothing inherently wrong with agendas in films or series, since almost everything will have an agenda. It's unavoidable as creators don't exist in a vacuum. They're a product of and a part of society. It just comes down to how well that agenda fits into the narrative, or how it makes its presence felt at the expense of the narrative.
Lucas knew he was going into some heavy material with the PT. He was departing from the hokey space yarn he'd created, and was going to pull back the curtain and show the Wizard at work rather than just the work itself. So, there's fake trade negotiations, a fake trade war, a fake army, all in order to set the conditions required for the Wizard to create the 'Land of Oz' Lucas showed us in the OT.
On top of that Lucas was going into a darker story - far darker than The Empire Strikes Back - that would involve slavery and child murder. But to get that point he had to lighten the load with clumsy comical elements, such as the camp nature of the battle droids or the slapstick nature of Jar Jar Binks.
The two sides of this story don't gel. Not nearly as well as the humour and graphic violence had in the OT.
The ST is similarly clumsy, from the basic premise that they were making it up as they went along, and each film lays a trap for the next. OT heroes are wasted, as with Luke's loss of confidence culminating in his sacrifice - necessary because this trilogy is promoting Rey's journey, not the Skywalker legacy. Or Han meeting his end at the hands of his mentally defective 'son', who never actually rings true as being the product of either Han or Leia. Kylo is like Buffy's sister. She appears out of nowhere as if she's always been there, and makes you think you must've missed an episode in between.
The OT heroes were shoehorned into the ST, and because they were secondary to Rey's story their roles were marginalised. Ideally the story of Episodes VII-IX should have been saved for a potential X-XII. Harrison's reluctance to play Han Solo, a co-starring role compared to the preferred starring role of Indiana Jones, probably doomed such a project early on. At least he had plenty of adventures in the expanded universe novels, and it's impossible to read them and not imagine Harrison Ford's image and persona.
Which brings us back to Alden Ehrenreich. If they're ever going to tell the stories involving the heroes that lead up to The Force Awakens in live action, we'd have to get used to a whole new cast. That'll just be bait for some, going by how much hate Alden got for taking on the role of Han.
It's the ideal role for animation to fill this story telling gap. It seems they're still fixated on pre-OT clones though.
Great posts. As much as I like TROS I think its obvious from my other posts that i agree with you pretty much 100%
I would love an animated series that takes place post ROTJ / Pre TFA.