The Mike
In the Pixels
- Joined
- Feb 3, 2006
- Messages
- 30,607
- Reaction score
- 82
Re: The Dark Knight Rises
I don't mean to beat up on your Void, because it's definitely not just you or even you really, it's the mentality that the Batman films are worthy of preservation in the Smithsonian whereas the Marvel films are mindless dreck that people unplug their minds and smile at the pretty pictures.
I'm saying that isn't the case at all, that what sparks in the Nolan films, the deep thought provoking pieces whether they are in there by Nolan's conscious thought (which I still don't buy 100%) or they are something that the viewer sparks with after seeing the material, is still there within the Marvel films, always has been and always will be.
One could argue the Devil's Advocate that since they are there under the layer "fun" they are actually deeper than the Nolan films since his are surface but I won't open that can of worms or poke that bear because it'll be another 15 pages.
Back to the topic at hand I think if we give Nolan the credit that he is doing all of this intentionally, to make his films that mind enveloping than I have to go one step further and say from what I saw with TDKR so far, he might have overstepped into that mindset a bit too much. I see your points about TDK for example to some degree if I want my mind to go that route but will counter than it's a fun mix of comic book fantasy with the explosions and the basic persona of The Joker walking around without much attention paid to his look other than the first time and this one seems to be missing that key element.
It may be too realistic from what I've seen but we'll find out soon enough.
I don't mean to beat up on your Void, because it's definitely not just you or even you really, it's the mentality that the Batman films are worthy of preservation in the Smithsonian whereas the Marvel films are mindless dreck that people unplug their minds and smile at the pretty pictures.
I'm saying that isn't the case at all, that what sparks in the Nolan films, the deep thought provoking pieces whether they are in there by Nolan's conscious thought (which I still don't buy 100%) or they are something that the viewer sparks with after seeing the material, is still there within the Marvel films, always has been and always will be.
One could argue the Devil's Advocate that since they are there under the layer "fun" they are actually deeper than the Nolan films since his are surface but I won't open that can of worms or poke that bear because it'll be another 15 pages.
Back to the topic at hand I think if we give Nolan the credit that he is doing all of this intentionally, to make his films that mind enveloping than I have to go one step further and say from what I saw with TDKR so far, he might have overstepped into that mindset a bit too much. I see your points about TDK for example to some degree if I want my mind to go that route but will counter than it's a fun mix of comic book fantasy with the explosions and the basic persona of The Joker walking around without much attention paid to his look other than the first time and this one seems to be missing that key element.
It may be too realistic from what I've seen but we'll find out soon enough.