If the dots can't be connected with any reasonable explanation then that's a problem, but I haven't seen that be an issue for this film yet.
If the dots can't be connected with any reasonable explanation then that's a problem, but I haven't seen that be an issue for this film yet.
Exactly kara, that's been my point all along.
So instead of equating the super monster that is attacking the city with other super beings who have also attacked that same city she's instead supposed to suddenly assume she's in ANOTHER studio's movie and go "mutant!" Yeah that totally would be more logical.
So instead of equating the super monster that is attacking the city with other super beings who have also attacked that same city she's instead supposed to suddenly assume she's in ANOTHER studio's movie and go "mutant!" Yeah that totally would be more logical.
She never saw the creature...and if she did, that thing doesn't look like a Kryptonian. She didn't even know Lex created that thing using Zod. They live in a world of meta humans, aliens, and Greek gods, so you're assuming she knows some giant monster is vulnerable to the same thing Superman that can kill Sups. Nah...too many assumptions, from someone who is no really aware of the situation.
It's only the correct point if I make it.
She thought about the spear and figured "We might need that" because she's Lois ****ing Lane.
The Martha thing, why would Superman expose his identity to Batman? No, "you have to save this random citizen named Martha",
Well just another personal preference thing but I really liked the "See? This is how a civilized democracy works," and then BOOM. It was almost the political version of the Cairo swordsman getting shot. You think it's going to be this huge discussion that may even be the centerpoint of the narrative and Hunter can't even get her opening statement out. Just the subtext of Clark standing there, braced for a verbal assault, mentally preparing his defense/speech, etc., and then his confusion over Hunter's speechlessness. It was all so unsettling in such an awesome way.
Regarding Hunter, Luthor already had a plan to unilaterally attempt to kill Supes, and was going to do it no matter what. I can get why he sought Congressional support in the first place--if he were rational, then he could place the blame elsewhere. So it was petty revenge, and that was obvious with his jar of piss. But that doesn't explain the complex, long-developing plan of orchestrating this explosion.
Did she think that before or after she threw the spear away and it sank in the water?
After, there was no monster before.Did she think that before or after she threw the spear away and sank in the water?
Oh.My.He's about to die, and he's worried about his secret identity? Wut ? If anything, calling her mother, is a more compelling plead.
I liked that too...Luthor was in complete control over manipulating the situation.. so completely self-absorbed, he even throws his "girl Friday" Mercy Graves in harm's way. It was this story element that made me appreciate the ruthlessness that Luthor epitomizes in the story here - it just takes so much effort to get past the guy playing him (just don't like that Eisenberg guy here - it's almost like he's begging for a tacky costume and a chance to be in some Schumacher-esque production with his hammy acting)
You kind of answer your own question there...Luthor is the ultimate spoiled brat who doesn't like to be told "no" (at least that's an aspect about him in this movie's take on the character). The senator said "no" and pissed him off. He gets his petty revenge and twists the knife on Wayne (by using his former employees as bomb fodder) and Superman (who, by showing up at the hearing, is attempting to do the "right" thing) at the same time...
The one thing that is still irking me about the negative flood still sweeping through this movie is the oft-heard and read gripe, "It's like Snyder doesn't even like these characters"...I can only presume that comes from the way the two main characters are portrayed here...both struggling with a moral code instead of easily embracing one as expected (or as they've been portrayed in the past). I'm okay with the "struggle" ...as long as Snyder and co stay brave enough to see these ideas through...it can be either through redemption or complete surrender to their darker nature, just tell the story in a coherent, interesting way that makes sense. If the result confounds expectations, more power to them!
As Khev mentions, a lot of folks do seem to have a problem with every little thing not being spelled out for them. This is a visual art...the suits at Warner's took a gamble here picking someone who is more inclined to to their story more with the visuals than the words. I hope they don't chicken out here and try and backstep into making everything the way the reactions and research say it should be. That's make one boring, perfect little confection that may satisfy the masses for the quick bucks (and yes, I know, considering the huge sums of money being thrown about with these big movies that it's a given it's got to make a pile of money), but not have the ability to generate debate and discussion like this movie is doing. Theses characters deserve more than just becoming mere content for the reminder bins and Wal-Mart.
I've only seen this movie twice, and both times , it sticks with me afterwards...lots of cool things to think about and puzzle over. I like that.
Enter your email address to join: