This movie is going to be the end of me. Over twenty four hours later, and I'm still obsessing over it. I'm like a junkie jonesing for a fix; I want to see it again, I need to see it again; I
have to see it again. I have not felt this much enthusiasm for a comic book movie in a long time. Probably not since The Winter Soldier; well, maybe Days of Future Past. When I walked out of Batman V Superman, I was left with feelings of confusion, more than anything, Civil War left me feeling disappointed, Suicide Squad had me feeling like I'd just crawled back from the depths of hell after having been killed by gas station sushi, and the rest of the Marvel movies outside of, maybe, Guardians, left me feeling...I'll be generous and say
happily distracted, if only for a moment.
Logan's something of a paradox to me. The eagerness I feel wanting to watch it again almost makes me feel like a glutton for punishment, as it is, indubitably, a punishing film. Gutwrenching, heartbreaking; you think of the adjective, and there are probably a million ways to describe how ****ty it leaves me feeling, but, at the same time, as a fan of both westerns and comic book films, it fills me with the spirit of salvation, as if I were a broken man in a tent revival. For a long time, westerns have been about as dead as a dodo. Every once in a while, we'll get one and it'll do alright, but, as a genre? It had been so played out for so long that they may as well have put its tombstone up next to John Wayne's.
The same, I fear, can be said of comic book movies. Torn between two warring factions; one that clings to the brief success "ultrarealism" granted the genre years ago, in a desperate attempt to be taken seriously, and another that has become creatively stifled in the name of maintaining the status quo and, by extension, the bottom line, comic book movies have, honestly, kind of floundered, and I agree wholeheartedly with Snikt, when he assesses that Logan takes the risks Marvel's too afraid to take, and, as for trying to be taken seriously like DC's stuff? It's effortless. Mangold, Jackman, and Co. clearly have a deep affection for the character, but they do not allow themselves to be silenced by the loudest fanboys in the room.
This is not a guy running around in a bright yellow leotard, this is a broken down old man, living a life of solitude and taking care of the closest thing he has to family. Logan is as inspiring as it is dour, because I look at the back-to-back success of films like this and Hell or High Water, and, as a fan of westerns, I can't help but think that, "maybe this old girl has some juice left in her, yet," and the same goes for comic book movies. I'm not saying I want the MCU to stop, or DC not to try to make their "realistic" DCEU filled with gods and mortals and deep, philosophical pinings, but what films like Logan and, to a degree, Deadpool, establish is that you can allow the conventions of the genre to take a backseat to good storytelling; you can make something new, and fresh, and different, and still have it be equally successful, if not moreso.
I feel like I could churn on about this movie for hours, but I don't really know where to begin, and I'm not really sure where I'd end it.