SHIN GODZILLA - Toho Studios To Return to Godzilla in 2016!

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Here's a sort of summary that was shared at Tohokingdom.

To expand a bit, the 'red goo' that gets coagulated at the end is not only the source of Godzilla's energy and life force, but also a mutagen. To most Japanese that saw the movie and worried about the type of long term problems resulting from the radioactive leakage of 2011 and its effect on marine life and the environment (to say nothing of the life on land), the inference drawn is that the red goo is a mixture of radioactive sludge, victims killed in the 2011 tragedies-including humans-, and other carcasses/remains, both those killed by the tragedy and the radioactivity. They all melded together into the sludge which spawned a mutated lifeform-it seems this Godzilla grew from the tail up (the tail's mouth is an indication of this), and as it absorbed more DNA was able to mutate further (borne out by all the disappearances of people in the area before Godzilla first shows). The human remains began to mutate into the marine life/reptilian/fish hybrids seen at the end, and one of them proved to be quite successful and developed into the 'upper body' (much as not all sperm are successful-it only takes one success). Or perhaps this is intended to be Godzilla's form of reproduction-that the human remains are taking on the Godzilla form in miniature and at some point would drop off and become independent. It is also possible that they were just intended as an artistic device to show that mankind has become what it fears most-the agent of its own destruction. Any way you look at it, it all goes back to ***ushima, pollution, and man's abuse of the environment making him his own worst enemy in both a symbolic and micro-literal-sense.

Some might wonder why Godzilla appears in Kamakura and not closer to the ***ushima plant-well, it is too soon to really be invoking ***ushima as a plot device in a mainstream film in Japan, not to mention the families of victims who might feel insulted their loved ones became part of an abomination for the amusement of moviegoers. So in this universe, the tragedy probably happened closer to Tokyo.
 
Here's a sort of summary that was shared at Tohokingdom.

To expand a bit, the 'red goo' that gets coagulated at the end is not only the source of Godzilla's energy and life force, but also a mutagen. To most Japanese that saw the movie and worried about the type of long term problems resulting from the radioactive leakage of 2011 and its effect on marine life and the environment (to say nothing of the life on land), the inference drawn is that the red goo is a mixture of radioactive sludge, victims killed in the 2011 tragedies-including humans-, and other carcasses/remains, both those killed by the tragedy and the radioactivity. They all melded together into the sludge which spawned a mutated lifeform-it seems this Godzilla grew from the tail up (the tail's mouth is an indication of this), and as it absorbed more DNA was able to mutate further (borne out by all the disappearances of people in the area before Godzilla first shows). The human remains began to mutate into the marine life/reptilian/fish hybrids seen at the end, and one of them proved to be quite successful and developed into the 'upper body' (much as not all sperm are successful-it only takes one success). Or perhaps this is intended to be Godzilla's form of reproduction-that the human remains are taking on the Godzilla form in miniature and at some point would drop off and become independent. It is also possible that they were just intended as an artistic device to show that mankind has become what it fears most-the agent of its own destruction. Any way you look at it, it all goes back to ***ushima, pollution, and man's abuse of the environment making him his own worst enemy in both a symbolic and micro-literal-sense.

Some might wonder why Godzilla appears in Kamakura and not closer to the ***ushima plant-well, it is too soon to really be invoking ***ushima as a plot device in a mainstream film in Japan, not to mention the families of victims who might feel insulted their loved ones became part of an abomination for the amusement of moviegoers. So in this universe, the tragedy probably happened closer to Tokyo.

9f8x6MF.gif
 
Here's a sort of summary that was shared at Tohokingdom.

Yikes :horror

It's as if Godzilla is part Hedorah in this and the tip of his tail just keeps getting more and more gross doesn't it! :lol

The plot I learned was on the human side, the political story which permeates the plot and drives the movie, but this was also helpful to fill in the gaps, thanks. :lol
 
"SHIN GOJIRA was an amazing film. The city rampage sequences are SPECTACULAR. This incarnation of Godzilla is the most terrifying version since the original. The story is heavy on dialogue between the various agencies and governments trying to deal with the threat, and I could not make out many key moments due to language limitations. There were many surprises, and it was not predictable by any means. There were aspects of the film that will be controversial, and it is definitely an entry in the series that will divide fans. I do like the film and what it adds to the overall mythos of Godzilla.”

Also quoted is a review from Japan’s Cinema Today, describing the film as a “masterpiece” and comparing the realism in the film to the gritty view seen in Zack Synder’s 2004 remake of Dawn of the Dead.

Then there's this:

Not all reviews were so positive. Brian Ashcraft, writing for Kotaku, titles his article Godzilla Resurgence Talks Too Much.” He begins by saying, “going into the cinema, I was excited.

“While actually watching Resurgence, though, I could feel myself making an effort to get into it, yet I never did. There were parts I enjoyed, but I left the theater feeling somewhat letdown… I just wanted to see more of the monster action… Most of the time we just saw people running and then went back to a room full of politicians or researchers. The sense of dread is tangible, but then muted by a seemingly endless of stream of talking heads… Ultimately, much of the movie never pays off. The climax felt flat, and plateaus before it ever builds up tensions…There was never a release or a satisfying catharsis. Just lurking anxiety.”


He concludes on a brighter note, saying that “This isn’t one of the best Godzilla films ever made, but it’s certainly not one of the worst by any stretch, either.”
 
Its been my experience that Kotaku never, ever has given a glowing review to any film they have reviewed. That's why I tend to never frequent that site. Great summation from Tohokingdom by the way.
 
Must've been awesome being at the Imax opening night, they even had Godzilla chocolate! :lol

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I like this one:

"Just a heads up - my Japanese is fairly elementary so I can't provide in depth plot details - but I can tell you that Godzilla did indeed **** **** up."

:lol
 
Here's a great summary from seyon35 on reddit.

The film starts with the coast guard investigating an abandoned small yacht off the coast of Tokyo. Because there is no sign of struggle, they theorize a suicide.

Suddenly the boat is disturbed by a huge eruption in the water. At the same time, a car tunnel under the ocean collapses and copious amounts of red liquid spill into the tunnel.

The government convenes an emergency meeting with all the bigwigs to discuss. The prevailing theory is volcanic activity from an undersea volcano. However, one person brings up a theory that has already surfaced online: that it’s some unknown giant creature. This person is the closest character to a “main character” in the film: Yaguchi. He is the assistant secretary of the cabinet, which is not too high in the overall government scheme but is #2 responsibility for handling national crises.



Yaguchi is mocked, until an enormous tail comes out of the ocean. Stunned and unsure what the right thing to do is, the government has all the ministers put on emergency rescue gear as if they are going to help deal with a crisis directly. After some debate, the prime minister gives an emergency press conference decked out in his emergency crisis gear, announcing that there is no risk of the monster making landfall.

This is a deliberate call-back to the March 11, 2011 disaster, when the prime minister in real life took a lot of public flack for appearing in press conferences wearing emergency rescue gear as if he was going to go help at ***ushima in person, which of course he never did.

Ironically, right after this press conference, the creature makes landfall. Cue “Persecution of the Masses.”



A stupefied government watches as a giant creature comes crawling out into Tokyo. This is Godzilla’s first form, totally unrecognizable, crawling on all fours with gills in its neck spilling more red liquid on the streets.

As it destroys everything in its path, killing civilians, the government finally scrambles helicopters to attack. As they approach, Godzilla suddenly stops and evolves to his second form, growing arms and standing on two legs.

The prime minister is extremely indecisive about order the helicopters to open fire. This is because Japan has a peace clause in its constitution and takes weapon usage really seriously. In real life, this is a major political topic in Japan right now as the very right-wing Prime Minister Abe wants to revise the constitution to give Japan the most military autonomy it’s had since WWII.

Eventually the prime minister orders the helicopters to fire but immediately retracts the order when they see that civilians still haven’t completely evacuated the area. Godzilla mk 2 gives a skreeonk that is verbatim the exact same as the one from Gojira 1954. He goes back on all 4s into the ocean.



Cue long government discussion scenes.

The government divides into 2 groups: The main ministers focus military strategy and civilian safety, while a vindicated Yaguchi is put in charge of a team of young all-stars to research the monster.

3 major discoveries happen at this point:

A monster that big could only possibly use nuclear energy to sustain itself. Further, the monster leaves a trail of radiation in its wake. From this, they figure out that Godzilla has nuclear fission constantly occurring inside of him, which continuously heats him up, and that he went back into the ocean to cool off.

The second “main character,” Kayoco Ann Patterson, a Japanese American liason to the American Ambassador in Japan, arrives to say that the owner of the deserted ship at the start of the movie was a now-missing zoologist that was researching the monster. He figured out that something big was down in in the bottom of the ocean, which he named “Gojira” after a local legend in his hometown. The Americans got wind of his research and give the creature the codename “Godzilla” in English.

They figured out that Godzilla was eating nuclear waste buried at the bottom of the ocean.



In the midst of all this research, Godzilla reappears, further evolved into his “main,” familiar form, walking on two legs and twice as big as before. He makes land in Kamakura, which is a ways south of Tokyo, and slowly walks up towards Tokyo, destroying everything in his path.

The Japanese Self Defense Force (SDF) prepares helicopters, tanks, and bombers to attack Godzilla. Once again, the Prime Minister is extremely hesitant to give the order to fire, but eventually he does, this time for real. The SDF lets lose, and in classic Godzilla fashion, nothing phases him. The prime minister orders retreat but it is too late for some SDF members.



The US military offers to step-in and help, and after some hesitation the Prime Minister agrees. This harkens to another major political hot topic in real-life Japan today: the right-wing government and its supporters feel that Japan is overly dependant on the US military and needs to get more military, political, and economic autonomy in order to be a truly legitimate international player.

The government figures out that the location where the prime minister and the cabinet are gathered is in Godzilla’s probably path of destruction, so Yaguchi talks the prime minister and most of his other ministers to flee via helicopter, while Yaguchi and other lower-level officials flee by car.



As they flee, the US military sends in stealth bombers, which are finally able to deal a noticeable wound to Godzilla. In retaliation, Godzilla glows purple, “Who Will Know (Tragedy)” plays, and Godzilla delivers the most epic atomic breath attack of all time, turning 3 districts of Tokyo into a fiery wasteland, destroying the American bombers, and taking down the helicopter with the Prime Minister and cabinet in the process.

After this great expulsion of energy, Godzilla stops and enters a state of hibernation.



With the Prime Minister and the next 10 in line to succeed him all dead, the Minister of Agriculture becomes temporary Prime Minister. He complains about how hard the job is.

At this point, Yaguchi’s team tracks down the rest of the zoologist’s research. Additionally, the US and Japan are able to get somewhat close to take readings. But not too close—Godzilla has a sort of natural sensor and will disrupt any equipment that gets too close.

Through this, there are 3 more revelations:

Given the amount of energy that Godzilla expelled, they figure out that it will take 15 days for him to recover and reawaken.

Godzilla doesn’t have “normal” cells, he’s made up of ancient, nuclear-energy-consuming mixotrophs. They theorize that Godzilla started as a collection of these ancient mixotrophs that ate the nuclear waste dumped into the ocean. This caused them to evolve and come together. The pace of evolution increased, to the point that Godzilla goes from undersea creature, to 4-legged Godzilla mk 1, to 2-legged Godzilla mk 2 in a matter of hours, and soon after became the Godzilla we know and love.

Bits of Godzilla fell off him in his attack, and these also start the process of evolution. They realize that Godzilla can reproduce asexually (like a worm, not like GINO), and that if they can’t stop him soon the world will be overrun by constantly evolving, unstoppable monsters.



The US Government fears that Godzilla will evolve and reproduce out of control. They decide to use the H-Bomb to wipe him out, and give Japan 2 weeks to evacuate Tokyo.

The new interim prime minister fears that nothing else can be done, and agrees with the US’s plan. But Yaguchi and Kayoco, who’s grandmother died in the Hiroshima nuking, want to come up with another plan. They don’t want Japan to once again be the victim of a bombing that will take decades to recover from.

Kayoco decides to use her political connections to get France to convince the US, Russia, and China to extend the countdown until they nuke Godzilla by one day, i.e. until right before he wakes back up. The American Ambassador to Japan warns her that if her plan fails, it will destroy her political career and shatter her dreams of becoming US President in her 40s. She decides to proceed nonetheless.



Kayoco and Yaguchi’s plan is pump freezing liquid into Godzilla, cooling the organisms inside him until he completely freezes over. They call this plan Operation Yashiori (Yashiori Sakusen). This name goes 3 layers deep:

Everyone wanted to call it Operation Yaguchi but he didn’t want to take all the credit, so he took the “Ya” and made it Operation Yashiori.

“Yashiori” comes from yashiori no sake. In Japanese folklore, yashiori no sake is a legendary sake that is given to the demon Orochi in order to make him drunk, leading to his defeat. If you’ve played the game Okami, there is a boss fight where you defeat Orochi by feeding him Yashiori no Sake. In this movie, they force feed Godzilla coolants in order to defeat him, a la Yashiori no Sake

It harkens back to the name “Operation Yashima” (Yashima Sakusen), which originally comes from Neon Genesis Evangelion, and then was used on the internet in 2011 to refer to the nationwide campaign to conserve energy after the ***ushima nuclear reactor meltdown.



They complete preparations on time, and on the day of the operation, Yaguchi gives a rousing speech to those who are participating in the operation, thanking them for their service and their sacrifice, since there is no guarantee they will make it out alive or be safe from radiation poisoning.

They first use unoccupied trains and drones to send explosives at Godzilla. This is a ruse to get him to expend all his energy via atomic breath. When he runs out of juice, they topple him by causing the buildings around him to fall on him. When he’s down, they force feed him coolant via fire trucks.

It takes a couple attempts and many lives are lost, but eventually it works, and Godzilla is frozen.



After the climax, we learn that the half-life of Godzilla’s radiation is only 20 days, meaning Tokyo will be able to make a quick recovery. The Americans postpone the nuke, but remind Japan that, should Godzilla ever reawaken, they will finish the job and nuke him. Yaguchi declares his intent to help rebuild the government into something stronger, that can support Japan in the age of Godzilla.

The film ends with a close-up of Godzilla’s tail. We see human skeletons coming off of it, reaching for the sky. No explanation is given for why they are there.
 
So, apparently, Godzilla has 4 total forms in this movie, the first we only see as a tail briefly in water, the other 2 making landfall. For those wanting a better look, here are the Bandai vinyl figures of each.

Form 2

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Form 3

img_movie5.jpg
 
There are 5 certain things in life:

1. Watching Godzilla reveal himself to Japan for the 1st time.
2. Watching Peter Parker get bit by a spider and Uncle Ben get killed.
3. Watching Bruce Wayne's parents get killed.
4. Taxes.
5. Death.
 
I will watch this and I probably gonna like it, but the best part for me is that Hideaki Anno is finished with this and can finally wrap up Evangelion 3.0+1.0.
That´s taking an eternity...
:gah:
 
That's really cool that he evolves over the course of the movie! Those renderings are actually somewhat sensical anatomically speaking. Very cool.
Can't wait to see this.
 
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