Long post ahead, get your "Didn't Read" memes ready.
Apparently for many the answer is yes. If PJ makes a Middle-Earth film it either needs to match FOTR in every way or it's as bad as a SW Prequel. Pass/Fail. The end. If TTT came out today it'd be a "Lucas movie" with a fully CG antagonist (Gollum) not to mention animated tree people and armies. That's not allowed today. Everything needs to be people in make-up or a stop-motion puppet apparently. I'm sure claymation would still get a pass too. Whatever. No sense dialoguing against those with such a mindset.
Anyway, I did have the pleasure of watching BOTFA again yesterday after finishing Tolkien's novel earlier that same day. It was fun to be refreshed on the book right before closing out the trilogy in the cinema again.
I'm even more impressed with how PJ translated the book to the screen after reading it again.
Some interesting things that stuck out at me:
1. Man, the dwarves were basically incompetent background characters in the book. They really had no descriptions save for Thorin, Bombur ("the fat one"), and Kili and Fili ("the young ones") and most of them never said one word. They also do NOTHING cool and are literally rescued by Gandalf or Bilbo in EVERY single encounter. Then at the end Thorin becomes a total **** and only gets somewhat cool on his deathbed. PJ really had his work cut out for him to give them engaging and likable personas and abilities. That's not to say that they were done poorly in the book, Tolkien just deliberately didn't have them as the focus. They just sort of existed as a means to let Gandalf and Bilbo go on a cool adventure and do cool stuff. That just wouldn't work in a movie though and PJ did a great job with them.
2. Azog and Radagast. Wow, they each get mentioned in one single sentence. "Azog the Goblin" is mentioned as having killed Thror (before being killed by Dain) and Gandalf mentions Radagast to Beorn. BUT the book also says that Gandalf goes and meets with a council of Wizards and drives the Necromancer out of the South. So I don't see any problem in showing Gandalf do those things and having Radagast involved. I love the greater role that PJ gave Azog, an ancient feud of bloodlines, and it's almost Shakespearean how the line of Durin and Azog's line come to an end in the same battle. I really was expecting Azog to fall in some crowd pleasing manner like Lurtz but no, we see Thorin allowing the orc to skewer him so he can release his own sword and run his foe through, then get on top of him and stab him again, lowering his face to just stare into Azog's eyes, soaking in every last second of the orc's dwindling life, that's some epic Ledger Joker **** right there. Hardcore!
3. Smaug and Bard. Okay I'm just going to say it. It was perfect in the book, so cinematic and even more exciting than it was in the movie. Every time I've ever read the passages detailing the dragon laying waste to the town, Bard and his men launching all of their arrows at it, then the one magic thrush comes down and whispers Smaug's weakness into Bard's ear right as he gets down to his last arrow, the black arrow, then he lets it loose as Smaug blazes past him and sinks the entire arrow into his belly, the dragon crashes through the whole city...beyond epic. Just storyboard that **** right there and call it a day. But alas, it was not to be, and the final showdown between man and beast was still awesome (and even I'd say the most awesome opening of all six films) but I can't help but feel that an opportunity was missed. In the book the Master runs out into the desert with his share of the Erebor treasure and dies, I did like the death PJ gave him much better at least.
4. jye4ever you mentioned that you didn't like Bilbo taking out orcs with rocks and thought that those scenes were inspired by ewoks in ROTJ. They weren't. In the book Bilbo kills a good number of the giant spiders in Mirkwood with throwing rocks so this would have been an evolution of that.
5. Alfrid stuck out even more the second time after realizing that he wasn't even in the book at all. He made sense in DOS because his existence gave the Master someone to talk to so we could learn about the Master. But after the Master's death? Why? I get that he was a greedy counterpoint to Bard in that he was just after gold and his own skin but wasn't the Master also? And even Thorin to a point? He seemed really unnecessary and I would have liked to have seen Bard cast him off the way Aragorn did to Wormtongue as soon as his influence was gone. Hopefully he has a really satisfying demise in the EE. His one saving grace was that he actually was a pretty entertaining character even if he was out of place. And all things considered his part was still pretty small overall.
6. Legolas. Loved him. Loved his superheroics but loved witnessing him evolve into his FOTR self even more. I got warm fuzzies seeing him stand next to Bard and giving advice to the human in much the same manner that he would later do for Aragorn. LOVED that one brief moment of "Fellowship" music when Thranduil mentioned Strider.
7. The deaths in this movie and the incredibly powerful reactions to them (especially Freeman's performance at Thorin's passing) really elevate this movie to emotional levels not even present in much of the LOTR trilogy. GREAT stuff, and as I mentioned last week gives an extra element of danger to the whole LOTR as well.
8. The freaking witch king battle in this movie, one of my favorites of all six films. Somehow, in some utterly freaking magical way, PJ captured both the essence of the LOTR films AND the 1978 animated Bakshi movie with the way the wraiths weren't really cartoons, weren't really men, UNBELIEVABLE. Perfectly done.
9. This is another great trilogy IMO. Maybe LOTR is the "Raiders of the Lost Ark" trilogy and this is the "Temple of Doom" trilogy. One's "perfect" and will always be in AFI's top whatever of all time but the other still has it's own valid identity with just as many iconic moments of it's own. I'll go ahead and say that LOTR are "better made" films, but I like both trilogies equally. I won't even say that LOTR is 10/10 and Hobbit is 6/10, 7/10 or whatever. LOTR is 10/10, Hobbit is not quite there but somehow just as good IMO, if that makes any sense.
Hobbit trilogy will never surpass LOTR trilogy in quality, like never. Did I say never
But does it have to for it to still be entertaining?
Apparently for many the answer is yes. If PJ makes a Middle-Earth film it either needs to match FOTR in every way or it's as bad as a SW Prequel. Pass/Fail. The end. If TTT came out today it'd be a "Lucas movie" with a fully CG antagonist (Gollum) not to mention animated tree people and armies. That's not allowed today. Everything needs to be people in make-up or a stop-motion puppet apparently. I'm sure claymation would still get a pass too. Whatever. No sense dialoguing against those with such a mindset.
Anyway, I did have the pleasure of watching BOTFA again yesterday after finishing Tolkien's novel earlier that same day. It was fun to be refreshed on the book right before closing out the trilogy in the cinema again.
I'm even more impressed with how PJ translated the book to the screen after reading it again.
Some interesting things that stuck out at me:
1. Man, the dwarves were basically incompetent background characters in the book. They really had no descriptions save for Thorin, Bombur ("the fat one"), and Kili and Fili ("the young ones") and most of them never said one word. They also do NOTHING cool and are literally rescued by Gandalf or Bilbo in EVERY single encounter. Then at the end Thorin becomes a total **** and only gets somewhat cool on his deathbed. PJ really had his work cut out for him to give them engaging and likable personas and abilities. That's not to say that they were done poorly in the book, Tolkien just deliberately didn't have them as the focus. They just sort of existed as a means to let Gandalf and Bilbo go on a cool adventure and do cool stuff. That just wouldn't work in a movie though and PJ did a great job with them.
2. Azog and Radagast. Wow, they each get mentioned in one single sentence. "Azog the Goblin" is mentioned as having killed Thror (before being killed by Dain) and Gandalf mentions Radagast to Beorn. BUT the book also says that Gandalf goes and meets with a council of Wizards and drives the Necromancer out of the South. So I don't see any problem in showing Gandalf do those things and having Radagast involved. I love the greater role that PJ gave Azog, an ancient feud of bloodlines, and it's almost Shakespearean how the line of Durin and Azog's line come to an end in the same battle. I really was expecting Azog to fall in some crowd pleasing manner like Lurtz but no, we see Thorin allowing the orc to skewer him so he can release his own sword and run his foe through, then get on top of him and stab him again, lowering his face to just stare into Azog's eyes, soaking in every last second of the orc's dwindling life, that's some epic Ledger Joker **** right there. Hardcore!
3. Smaug and Bard. Okay I'm just going to say it. It was perfect in the book, so cinematic and even more exciting than it was in the movie. Every time I've ever read the passages detailing the dragon laying waste to the town, Bard and his men launching all of their arrows at it, then the one magic thrush comes down and whispers Smaug's weakness into Bard's ear right as he gets down to his last arrow, the black arrow, then he lets it loose as Smaug blazes past him and sinks the entire arrow into his belly, the dragon crashes through the whole city...beyond epic. Just storyboard that **** right there and call it a day. But alas, it was not to be, and the final showdown between man and beast was still awesome (and even I'd say the most awesome opening of all six films) but I can't help but feel that an opportunity was missed. In the book the Master runs out into the desert with his share of the Erebor treasure and dies, I did like the death PJ gave him much better at least.
4. jye4ever you mentioned that you didn't like Bilbo taking out orcs with rocks and thought that those scenes were inspired by ewoks in ROTJ. They weren't. In the book Bilbo kills a good number of the giant spiders in Mirkwood with throwing rocks so this would have been an evolution of that.
5. Alfrid stuck out even more the second time after realizing that he wasn't even in the book at all. He made sense in DOS because his existence gave the Master someone to talk to so we could learn about the Master. But after the Master's death? Why? I get that he was a greedy counterpoint to Bard in that he was just after gold and his own skin but wasn't the Master also? And even Thorin to a point? He seemed really unnecessary and I would have liked to have seen Bard cast him off the way Aragorn did to Wormtongue as soon as his influence was gone. Hopefully he has a really satisfying demise in the EE. His one saving grace was that he actually was a pretty entertaining character even if he was out of place. And all things considered his part was still pretty small overall.
6. Legolas. Loved him. Loved his superheroics but loved witnessing him evolve into his FOTR self even more. I got warm fuzzies seeing him stand next to Bard and giving advice to the human in much the same manner that he would later do for Aragorn. LOVED that one brief moment of "Fellowship" music when Thranduil mentioned Strider.
7. The deaths in this movie and the incredibly powerful reactions to them (especially Freeman's performance at Thorin's passing) really elevate this movie to emotional levels not even present in much of the LOTR trilogy. GREAT stuff, and as I mentioned last week gives an extra element of danger to the whole LOTR as well.
8. The freaking witch king battle in this movie, one of my favorites of all six films. Somehow, in some utterly freaking magical way, PJ captured both the essence of the LOTR films AND the 1978 animated Bakshi movie with the way the wraiths weren't really cartoons, weren't really men, UNBELIEVABLE. Perfectly done.
9. This is another great trilogy IMO. Maybe LOTR is the "Raiders of the Lost Ark" trilogy and this is the "Temple of Doom" trilogy. One's "perfect" and will always be in AFI's top whatever of all time but the other still has it's own valid identity with just as many iconic moments of it's own. I'll go ahead and say that LOTR are "better made" films, but I like both trilogies equally. I won't even say that LOTR is 10/10 and Hobbit is 6/10, 7/10 or whatever. LOTR is 10/10, Hobbit is not quite there but somehow just as good IMO, if that makes any sense.