jye4ever
Broke and happy
I was watching Batman (89) this weekend and the suit does look so restrictive and Keaton's movements are very stiff because of it. I think the suit looked great though. There are certain shots like the one where he drops down into the museum to rescue Vicki Vale where his face does look very scruntched up in the cowl. Customs I have seen of him in that suit always seem to highlight this.
True,
at best it's a mixed bag.
Parts of it I LOVE in the movie but then the poor movement rears its ugly head.
Fight crime, forget about it, he could barely move! He had to turn his entire body to where he wanted to look because of that neck and cowl design, especially by part 2. His cowl wa as thick as a tank and the eye sockets were so freaking huge by that point.
Still though, in many far shots and close ups, it looked awesome and for its time was a very good representation of the character. The scenes with him dressing up or at the computer speaking with VV are classic, especially the light around the eyes.
The drive back to the Bat cave with VV is still my favorite "returning to the Bat cave scene" when compared to the similar scene from BB where he's bringing back the poisoned Rachel. Not the chase, BB blows 89 BM with anything to do with car chases and action, i'm just referring to that simple drive back to the cave. Burton did that very well. It's the only time that the 89 car looked menacing and powerful!
Yup his face sometimes looked "crunched" but that's entertainment, it added texture and personality to a character who requires lots of that.
His place in Batman history belongs, that first movie kicked ass back then and still holds up today against the newer, darker, meaner more cynical movie.
Yes BB and TDK are my (and probably most) favorite Batman movies but 89 will always have a place on my movie shelf.
Excelsior 89 Batman.......plus that music is iconic now.